Archives de catégorie : Matérialités

Colloque “Foreign Bodies: Becoming Apart, Becoming a Part in Contemporary Literature”

12-13 October 2023

Université Paul-Valéry Montpellier 3, Site Saint Charles, Salle des colloques 2

Organisers: Katia Marcellin and Carine Nibakure.


Thursday 12th October 2023

9.45: Welcome coffee

10.30: Opening of the conference by Jean-Michel Ganteau, co-director of EMMA, and the organisers.

PANEL 1: Uncontained Bodies. Chair: Héloïse Lecomte (ENS Lyon)

10.50: Constance Pompié (Université Paul-Valéry Montpellier 3) – “Contagious Bodies in Sarah Hall’s Burntcoat

11.15: Nodhar Hammami Ben Fradj (University of Kairouan) – “Foreign Female Bodies in Sarah Waters’s Tipping the Velvet: From Victorian Exclusion to Contemporary Inclusion”

– 11.40: Discussion

12.25-2.25 pm: Lunch

PANEL 2: Becoming Hybrid Bodies. Chair: Monica Michlin (Université Paul-Valéry Montpellier 3)

2.25: Quitterie de Beauregard (Sorbonne Université) – “‘Xenogenesis’: Alien Bodies, Community and Identity in Octavia Butler’s Post-Apocalyptic Rebirth Stories”

2.50: Himangshu Sarma (Gauhati University) – “Embodied Empathy and the Boundaries of Humanity in Octavia Butler’s Parable of the Sower (1993)”

– 3.15: Discussion

3.40-4.10: Coffee break


Harry Parker: “Dreams of a Broken Body”. Chair: Catherine Bernard (Université Paris Cité) – 4.10-4.30

4.30: Discussion with Catherine Bernard + the audience.

5.00: Interview with the Graduate students of English Literature at Paul Valéry University.

8 pm: Dinner in town

Friday 13th October 2023

10.15-10.50: Welcome coffee

PANEL 3: Bodies in Crisis and Vulnerable Belongings. Chair: Isabelle Brasme (Université de Nîmes)

10h50: Héloïse Lecomte (ENS Lyon) – “Private Grief, National Crisis: Salena Godden’s Embodied Politics of Mourning in Mrs Death Misses Death (2021)”

11.15: Laurent Trèves (ENS Lyon) – “Loneliness as Dis-Integration in Jon McGregor’s Even the Dogs

11.40: Maxence Gouleau (Sorbonne Université) – “In/Excluding Pregnancy/ies in Pat Barker’s The Women of Troy (2021), Jessie Greengrass’s Sight (2018) and Julie Myerson’s Sleepwalking (1994)”

12.05: Discussion

12.30-2 pm: Lunch

PANEL 4: Dis-placed Bodies: Configuring New Bodily Spaces. Chair: Vanessa Guignery (ENS Lyon

2.00: Jaine Chemmachery (Sorbonne Université)– “The Refugee Tales: Bearing witness to the plight of refugees through literary and artistic re-incorporation”.

– 2.25: Sarah Back (University of Innsbruck) – “Navigating the Non-White, Non-Male Body Through Online Spaces: Ch. N. Adichie’s and B. Evaristo’s Intermedial Body Narratives”

2.50: Mohan Dharavath (Tata Institute of Social Sciences, Hyberabad) “Adivasi Studies vis-à-vis Literary Postmodernism in India: Disrupting the Norm Through Memory, Intersectionality and Critique”.

– 3.15: Discussion

3.40-4.10: Coffee break

Catherine Bernard (Université Paris Cité)

“Becoming subject(s): of Part(s), Whole(s) and Multitude(s) in Contemporary British Fiction”

Chair: Jean-Michel Ganteau (Université Paul-Valéry Montpellier 3) – 4.10-5.30


Organising Committee: Lise Lefebvre, Katia Marcellin, Carine Nibakure and Joséphine Sourgnes.

Scientific Committee: Isabelle Brasme, Jean-Michel Ganteau, Georges Letissier, Katia Marcellin, Judith Misrahi-Barak, Carine Nibakure, Vanessa Guignery.

International conference organised with the support of Doctoral School 58 and the Department of Anglophone Studies of Université Paul-Valéry Montpellier 3.

Séminaire “Landscape Malaise : The Unseen, the Invisibilized and the Unsightly in Canadian Visual and Literary Art”

Mardi 13 juin 2023 à 18h, Université Paul-Valéry Montpellier 3, site Saint-Charles, salle 126.

Séminaire organisé dans le cadre des axes « Matérialités » et « Faire commun » d’EMMA. Intervention de Claire Omhovère.

Canada’s promotion of its image as a natural haven has intensified in recent years, especially in circumstances when the public sphere has grown wary of the environmental impact of extractivism without being ready to renounce its immediate economic benefits. In this context the preservation of the wild has become a promotional mantra, and greenwashing a widespread strategy to guarantee jobs without alienating communities of voters. Lumber companies operate behind thin curtains of trees that disrobe unsightly clearcuts from the view of motorists in British Columbia. A similar strategy has been adopted with strip mining in the Athabasca region should the sites of extraction be close to the highway. Most of the time, however, the exploitation of natural resources occurs in places that are so remote from Canada’s urban centers that the sites of extraction can only be reached by plane, which means that industrial operations can take place on a large scale with few visible effects, except for the Indigenous populations living in the same area. This talk aims to query the distrust of landscape that has been asserting itself along with present concerns for the degradation of the environment, in order to better understand to what extent the Western taste for landscape, and the visual aesthetics that sustain it, may represent a stumbling block to environmental justice. Attitudes towards landscape assume paradoxical forms of reverence mixed with rejection in settler colonies where the historical dependency on a staple economy has accelerated the destruction of ecosystems over the very same period when landscape was extolled as the vibrant expression of the national identity. In Canada, this phenomenon is embodied by the vogue of the Group of 7 and the regain of attention their painting style drew during the Centennial decade when the second act of the independence played itself out. This talk will focus on the landscape malaise that has gained consistency after the last decade of the twentieth century at a time when postcolonial scholars were reaching out to establish connections with the developing field of ecocriticism (Hutcheon 1993). During this talk I will reflect on three visual regimes that trouble the aesthetic appreciation of the natural environment as landsc(r)ape (Boetskes 2017). Taking into account the unseen, the invisibilized and the unsightly will help reframe the mutual dependency between aesthetic, colonial and environmental exploitation, thereby putting a strain on the moralizing discourse of a sentimental ecology cut off from a concrete, material engagement with place, no matter how disturbing this may be.

(Illustration : Marlene Creates, Points of Interest, Saskatchewan, 1999, detail, 12 vintage colour Endurochrome photographic prints, 61 x 91.4 cm each. Collection of Remai Modern. Purchased with the support of the Frank and Ellen Remai Foundation, 2019.)

Présentation de l’intervenante: Claire Omhovère est professeure de littérature du Commonwealth à l’Université Paul-Valéry Montpellier 3, laboratoire EMMA, spécialiste de l’écriture du paysage dans les nouvelles littératures en anglais, principalement au Canada.

Séminaire “Introduction to Ecocriticism : The Social Construction of Nature”, Terry Gifford

Mercredi 12 octobre 2022 de 17h à 19 h30 – Salle des Caryatides

Terry GIFFORD, Visiting Research Fellow at the Research Centre for Environmental Humanities, Bath Spa University (UK) and Professor Honorifico at the Universidad de Alicante (Spain)

If the environmental crisis is a cultural crisis, how has what has been embedded in our language led to the Anthropocene? Ecocriticism attempts to deconstruct some answers. This seminar, led by a co-founder of British ecocriticism, first means to give an introduction to ecocriticism and its origins before turning to more recent developments.

This introduction to ecocriticism begins by considering what is implied by the language of a poem, ‘Bob’s Lane’, by Edward Thomas (1878-1917), a war poet known for his pastoral poetry, and one by post-war poet Philip Larkin (1922-1985). Words like ‘nature’ and ‘pastoral’, will be examined and the social construction of nature debated.

The seminar will then chart developments in pastoral theory and the evolution of ecocriticism, from phase one to phase three, in the US and the UK; its French iterations will also be included.

Terry Gifford is currently Visiting Research Fellow at Bath Spa University’s Research Centre for Environmental Humanities and Professor Honorifico at the University of Alicante, Spain.
He is author of 

  • Green Voices: Understanding Contemporary Nature Poetry (Manchester U. P. , 1995,
    2 nd ed. 2011),
  • Pastoral (Routledge 1999, updated ed. 2019;,
  • Reconnecting with John Muir: Essays in Post-Pastoral Practice (U. of Georgia Press,
    He has written or edited seven books on Ted Hughes, most recently Ted Hughes in
    (2018), and published ecofeminist essays on D. H. Lawrence. D. H. Lawrence, Ecofeminism and Nature (Routledge, 2022) is forthcoming.